舞台原始传播艺术:非语言符号传播在舞台表演艺术中的潜变价值

The primitive communication art of the stage:The latent value of non-verbal sign communication in the stage performance art

在演唱、弹奏、吟诵等舞台表演艺术中,演奏者的服饰、手势、表情、眼神、动作、发型以及道具、灯光、舞台、背景等非语言表达元素有着重要的作用。这些非语言表达元素是“新大众传播”理论体系中原始传播的主要符号,具有与语言符号同等重要的文化艺术价值。从舞台表演艺术中的礼仪意象等非语言符号的渊源、现当代应用以及未来的发展趋势出发,探究其潜变、裂变、嬗变过程,深化并升华原始传播在舞台表演艺术中的实践意义,勾画出中国元素、中国特质、中国智慧、中国主张的中国式“舞台原始传播艺术”创想。基于新文科建设背景,首创“舞台原始传播艺术”标志性概念,丰富和拓展新大众传播理论与舞台表演艺术理论的应用内涵与学术边界,突显舞台表演创新实践的文化价值。

Among the stage performance arts such as singing,playing,and chanting,the performer's non-verbal expression elements such as clothing,gestures,expressions,eyes,movements,hairstyles as well as lighting,stage props,and backgrounds all play important roles.These non-verbal expression elements are the main signs of primitive communication in the theoretical system of"new mass communication",having the same important cultural and artistic value as the verbal language.Starting from the development origin of etiquette images about stage performance arts,contemporary application,and future trend of the non-verbal sign communication,this article explores the latent,fission,and evolution processes,deepens and sublimates the practical significance of primitive communication of stage performance arts,which sketches out the Chinese elements,characteristics,wisdom and the Chinese-style"stage primitive communication art"concept.This study,based on the context of building new liberal arts,pioneers landmark concept"stage primitive communication art,"intends not only to enrich and expand the application connotation and academic boundaries of the new mass communication theory and stage performance art theory,but also to strengthen cultural value of innovation practice in stage performance.