摘要
电影史研究关系中国电影的过去、现在与未来,是中国影视学科学术体系建设的核心与基础。中国电影史书写与研究经历了从无到有,从萌芽、发展再到成熟的历史过程,总体上来看,已有的史学著述包括通史研究、专门史研究与断代史研究,这些成果在数量、史料发掘与运用、史学观念、研究方法等方面存在差异,在更加细化、专门化的评估标准下体现出各自风格特征。电影史写作与研究主体需要加强中国自主知识体系的学术思想和研究范式的现代性转化,在主体性、真实性、国际性、创新性等方面寻求突破,建构更加丰富多样、包容开放的史学研究范式。
The study of film history is related to the past,present and future of Chinese cinema,and it is the core and foundation of the academic system of Chinese film and television disciplines.The writing and research Chinese of film history have gone through a historical process from scratch,sprouting,development to maturity.On the whole,the existing historical writings include general history research,specialized history research and specific history research,all of which dffer in terms of quantity,discovery and use of historical materials,historiographical concepts,research methods,etc.,so that they reflect their own stylistic characteristics under the more detailed and specialized assessment criteria.Film history writers and researchers need to strengthen the modernization of academic thinking and research paradigms based on China's own knowledge system,to seek breakthroughs in regard to subjectivity,authenticity,internationality,and innovativeness,and to construct a more diversified,inclusive,and open paradigm of historiography.
作者
孙萌
贺诗雨
Sun Meng;He Shiyu
基金
2023年度国家社科基金艺术学重大项目“中国艺术学学科体系、学术体系、话语体系现状评估与建构目标及评价标准研究”(项目编号:23ZD01)阶段性研究成果。
关键词
学术体系
电影史学
现状评估
建设目标
评价标准
academic system
film historiography
assessment of current status
the goal of construction
assessment criteria