诗化与造境——何其芳1930年代小说、戏剧综论

An Overview of He Qifang's Novels and Plays in the 1930s

作为1930年代文学场域的代表性作家,何其芳在其小说、戏剧作品中呈现的诗化风格成为其标志性的文学姿态。在历史与现实的互动中,何其芳1930年代的小说、戏剧创作凝练为青春主题的书写形态,他将诗歌写作中的美学意象铺陈为短篇历史小说《王子猷》的诗意化历史情调,以诗作《预言》入小说的尝试丰富了何其芳的文学体验。戏剧《夏夜》在空间造境上以现实生活的时空为背景,着力构建“心灵的语言”,也为何其芳1930年代的文学探索提供了经验。未完成的长篇小说《浮世绘》则延续了何其芳唯美的写作气质,又在反思自我与时代的关系上有所突破。

As a representative writer in the literary field of the 1930s,He Qifang's poetic style presented in his novels and theatrical works became his symbolic posture.In the interaction between history and reality,He Qifang's novels and dramatic plays of the 1930s were condensed into a writing form of a youthful theme,and he presented the aesthetic imagery in his poetry writing as the poetic historical sentiment of his short historical story Wang Ziyou,as well as enriched his literary experience by incorporating his poem Prophecy into the novel.The dramatic play The Summer Night,focused on constructing the"language of the soul"in the context of real life's time and space,also provided experience for his literary exploration in the 1930s.The unfinished novel Fu Shihui continued He Qifang's aesthetic writing style and made breakthroughs in the relationship between self-reflection and the era.