鄂尔多斯古如歌传承与梅日更葛根罗桑丹毕坚赞《秀鲁格道》的关系

The Relationship between the Gur Duu Heritage of Ordos and Mergen Gegen Luvsandambijalsan's Shuleg Duu

鄂尔多斯古如歌中的“古如”一词源于藏语中的“杜拉勒”是明确的。自从青苏珠克图诺门汗罗卜藏诺尔布希拉布在鄂尔多斯创作发扬“古如歌”后出现了“古如歌”这一术语,进而乌拉特梅力更葛根罗布桑丹必坚赞的秀鲁格道和为数众多的民歌也被涵盖在古如歌的范畴,形成了婚宴习俗歌曲之一的古如歌传承。梅力更葛根秀鲁格道成为鄂尔多斯古如歌被传唱之时其歌词和曲调发生了不同程度的改变,这表明有严格规矩禁忌的习俗歌曲在传承过程中也在不断演变。

It is clear that the word Gur in Ordos Gur Duu derived from the Tibetan word Duulal.The term Gur Duu appeared after the creation and promotion of Dur Duu in Ordos by Ching Suzigten Nomin Khan Luvsan-norbushirav,and then Urat Mergen Gegen Luvsandambijalsan's Shuleg Duu and a large number of folk songs were also covered in the category of Gur Duu,forming the Gur Duu heritage,one of the customary wedding songs.When Mergen Gegen's Shuleg Duu became the Ordos Gur Duu,its lyrics and tunes changed to different degrees,which indicates that the traditional songs with strict rules and taboos are constantly evol-ving in the process of inheritance.