摘要
粤港澳大湾区电影是中国区域性电影空间研究的重要组成部分。独特的地理和区域优势形成了大湾区开放多元的社会文化风貌,探索大湾区电影如何构建地域影像空间本体、精神文化空间共同体及湾区人文化认同皈依的问题是区域性电影空间研究的重要面向。聚焦2019年《粤港澳大湾区发展规划》发布以来的大湾区电影文本,考察其景观魅力展现与地域空间建构的文化自觉。大湾区电影地域空间表达呈现出“寻根”“反思”“认同”三重独特的地域文化表征。
The Guangdong-Hongkong-Macao Greater Bay Area film space is an important component of China’s regional film spaces. The unique geographical and regional advantages have formed an open and diverse social and cultural landscape in the Greater Bay Area. Exploring how the film industry in the Greater Bay Area can construct a regional image space ontology, a spiritual and cultural community and the issue of cultural identity and conversion among the people of the Bay Area is an important aspect of regional film space researches. This article focusing on the films of the Greater Bay Area since the Outline Development Plan for the Guangdong-Hongkong-Macao Greater Bay Area, examines the cultural consciousness of its landscape charm display and regional spatial construction. The regional spatial expression of movies in the Greater Bay Area presents three unique cultural representations: seeking roots,reflection and cultural identification.
作者
庄君
杨蕊茗
Zhuang Jun;Yang Ruiming(College of Film and Television Arts,Liaoning Normal University,Dalian 116081,China)
出处
《辽宁师范大学学报(社会科学版)》
2024年第4期106-111,共6页
Journal of Liaoning Normal University(Social Science Edition)
基金
教育部重大招标课题项目“中国图像传播通史研究”(22JZD029)。
关键词
粤港澳大湾区电影
地域空间
文化表征
Guangdong-Hongkong-Macao Greater Bay Area film
regional space
cultural representation