明代词选对周邦彦词的高度接受及其原因

The High Acceptance of Zhou Bangyan's Ci-poetries in Ming Dynasty's Poetry Selections and its Reasons

在词乐亡佚的背景下,以声律谐婉著称的周邦彦词被选家取为填词范式,在重要谱体词选中选录数量多高居第一。明中期推崇“婉约为正”的词学观念,周邦彦因其词“柔情曼声,摹写殆尽”,选家视其词为“正宗”,选录数量仍位居前列,《花草粹编》选录更多达104首。杨慎等人有意改变明中期以来较单一的选词标准,兼选婉约与豪放,图以豪放之气驱靡柔之风,周邦彦词选录数量出现起伏,但整体接受“热度”仍较高。周邦彦词在明代的接受与其艺术特质、明代选家的审美标准及正变思潮等密切相关。

Against the backdrop of Ci-poetry,Zhou Bangyan's Ci,known for his harmonious and gentle tone,were chosen as the writing paradigm,ranking first in the selection of important spectral style words.In the mid Ming Dynasty,Zhou advocated the concept of"gentle and melodious voice is almost completely imitated"in his Ci-poetries.Due to his lyrics being"tender and melodious,with almost all imitations",his selected works were regarded as"authentic"by literary critics,and the number of selections was still among the top.The"Flower and Grass Essence Compilation"collected more than 104 poetries.Yang Shen and others intentionally changed the relatively single selection criteria since the mid Ming Dynasty,choosing both elegance and boldness,in an attempt to drive away the trend of laziness with the spirit of boldness.The number of selected poems by Zhou Bangyan fluctuated,but the overall acceptance was still relatively high.The acceptance of his poetry in the Ming Dynasty was closely related to his artistic characteristics,aesthetic standards for selecting scholars in the Ming Dynasty,and the trend of positive transformation.