2Walter Benjamin, London. Reaktion Books, 2007, p. 82.
3Siegfried Kracauer, History. The Last Things Before the Last, New York.Oxford Umversity Press, 1969, p. 7.
4Miriam Hamen, Cinema and Experience, Berkeley and Los Angeles.University of California Press, 2012, p. 3.
5戴维·弗里斯比.《现代性的碎片》,卢晖临,周恰,李林艳译,商务印书馆2013年版,第211页.
6Siegfried Kracauer, "Cult of Distraction", in Thomas Levin (ed.), The Mass Ornament, trans. Thomas Levin, Cambridge. Harvard University Press, 1995, p. 326, p. 326, p. 327, p. 326, p. 326, p. 326, p. 326, p. 327, p. 326, p. 327, p. 328.
7Siegfried K.racauer, "The Mass Ornament", in The Mass Ornament, p. 86, p. 75.
9Walter Benjamin, "Theory of Distraction", in Michael W. Jennings, Brigid Doherty and Thomas Y.Levin (eds.), The Work of Art in the Age of Its Technological Reproducibility and Other Writings on Media, Cambridge. Harvard University Press, 2008, p. 57, p. 56.
10Walter Benjamin, "The Work of Art in the Age of Its Technological Reproducibility", in The Work of Art in the Age of Its Technological Reproducibility and Other Writings on Media, p. 40, p. 40, p. 40, p. 41.
