摘要
黄梅戏是我国首批传统戏剧类非物质文化遗产和五大传统剧种之一的“活态文化”,其传承和发展与区域生态环境和社会心理之间存在重要的关系。黄梅戏剧目的流变根植于政治经济文化环境,紧贴当时当地人们的审美心理。黄梅戏的音乐从人文地理和生态环境中汲取养分,呈现出较强的地域文化特色。黄梅戏文化演进与历代艺术家在社会生态环境大背景下个体主动和被动的传播行为休戚相关。
Huangmei Opera is one of the"living culture"of the first batch of intangible cultural heritages of traditional operas and one of the five traditional operas in China.Its inheritance and development have an important relationship with regional ecological environment and social psychology.The changes of Huangmei Opera repertory are rooted in the political,economic and cultural environment,and close to the aesthetic psychology of local people at that time.The music of Huangmei Opera draws nutrients from human geography and ecological environment,showing strong regional cultural characteristics.The cultural evolution of Huangmei Opera is closely related to the individual active and passive communication behaviors of artists in the background of social ecological environment.
作者
王婷婷
闻雯
王永
WANG Tingting;WEN Wen;WANG Yong(hefei Preschool Education College,Hefei 230013,China)
出处
《通化师范学院学报》
2024年第7期112-119,共8页
Journal of Tonghua Normal University
基金
安徽省哲学社会科学规划项目“黄梅戏音乐流变及其文化人类学研究”(AHSKQ2020D162)。
关键词
社会生态心理学
黄梅戏文化
繁衍
social ecological psychology
Huangmei Opera culture
reproduction