摘要
尽管21世纪以来国内学界对查尔斯·狄更斯的研究已趋于成熟,但国内对此还未形成繁荣多元的学术话语。本文运用CiteSpace中关键词聚类视图、时间线视图、突现词探测等功能可视化地呈现了21世纪以来狄更斯研究在我国的历时发展。总体上看,我国学者在此领域的研究还未真正走上国际舞台,欲保持国际学术对话充满挑战;着眼国内,学者对此位英国经典作家的解读较为明显地呈现出一种独具中国特色的阐释趋势,在接受此种外来文化时可谓建构与解构并驾齐驱。细节上看,纵使新世纪形成诸多有潜力的研究话题、聚类主题也得到持续更新,但国内学者对狄更斯几部作品重复研究现象仍较为严重、欲在经典议题上推陈出新也并非易事。在跨学科研究蔚然成风的背景下,狄更斯在我国的研究进路或可乘时乘势,蓬勃发展。
Although the study of Charles Dickens has matured in the domestic academia since the 21st century,a flourishing and pluralistic academic discourse has yet to be formed in China.This paper adopts the cluster view,timeline view,burst detection in CiteSpace to visually present the chronological development of Dickens’s studies in China.On the whole,Chinese scholars’research in this field has not yet truly entered the international arena,and it is challenging to maintain an international academic dialogue;domestically,scholars’interpretations of Dickens show a relatively obvious trend towards a distinctly Chinese interpretation,and can be described as both constructive and deconstructive in the reception of such foreign culture.In detail,even though the new century has seen the emergence of many promising research topics and new clusters,the repetition of Dickens’s works is still a serious phenomenon,and it is not easy to innovate on classic topics.In the context of interdisciplinarity,Dickens’research in China could be further developed.
作者
陈后亮
许骞文
Chen Houliang;Xu Qianwen(School of Foreign Languages,Huazhong University of Science and Technology,Wuhan 430074,China)
出处
《外国语文研究》
2024年第2期9-20,共12页
Foreign Language and Literature Research