“让更多众生听见的大声音”——生态文学视域下阿来的边地书写研究

“A Loud Voice for More Beings to Hear”:Research on Alai’s Border Writing from the Perspective of Ecological Literature

在中国式现代化的文化语境中,生态文学创作如何实现与本民族的文学传统相结合,生态文学研究如何以同频共振性反映当代中国现实并彰显本土意识与文化自信,是生态文学批评自主理论建构的关键所在。阿来的边地生态书写以“全方位”和“大声音”的创作实践提供了这样一种叙事可能,在《尘埃落定》《空山》《格萨尔王》《云中记》等作品中以地方性和民族性的叙事视角对边地的植物、动物和生态环境进行了全方位的书写与诠释,深切地呈现出真实的边地自然风貌和民族精神积淀。而其始终以深入在场的写作姿态不遗余力地开掘边地文化的思想精髓,虔心书写着嘉绒藏区的“大声音”,勾连起汉语写作、生态政治、文化地理,以及人与自然关系等相关问题域的探讨,为重铸整体性的文化自觉和文化自信添砖加瓦,彰显出新时代文艺发展的新空间。

In the cultural context of Chinese path to modernization,the key to the independent theoretical construction of ecological literary criticism is how to realize the combination of ecological literary creation with the national literary tradition,and how ecological literary research reflects the contemporary Chinese reality with the same frequency resonance and highlights the local consciousness and cultural self-confidence.Alai’s ecological writing on the borderlands provides a narrative possibility through his creative practice of“all-round”and“loud voice”.In the works such as“Dust Settles Down”,“Empty Mountain”,“King Gesar”and“Record in the Clouds”,he has comprehensively written and interpreted the plants,animals and ecological environment of the borderlands from a local and ethnic narrative perspective,deeply presenting the real natural features and the accumulation of national spirit in the border area.However,he has always spared no effort to explore the ideological essence of the border culture with a deep writing attitude,and has sincerely written the“big voice”of Jiarong Tibetan area,connecting the discussion of Chinese writing,ecological politics,cultural geography,and the relationship between man and nature,and other related issues,contributing to the re-casting of integral cultural consciousness and cultural self-confidence,and highlighting the new space for the development of literature and art in the new era.