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在场·望乡·重构——叶梅生态书写的三个维度

The Three Dimensions ofYeMei's EcologicalWriting: Presence,Homesickness, Reconstruction
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摘要 新时代以来,作家叶梅的生态书写转向自觉,进行了专门的生态散文写作。从广义的生态意识到严格意义上的生态自觉,作家叶梅的生态书写整体包括三个重要维度:一是通过在场的生态观察表达具身共在的体悟;二是通过回望原乡完成审美经验的复归;三是通过重构达成文化记忆的再生。叶梅试图通过以上三个维度的建构激活自身文学实践,呼应了当下生态文明建设对生态创作的内在要求。 Since the new era,writer Ye Mei's ecological writing has turned to self-consciousness and has carried out special ecological prose writing.From the broad sense of ecological consciousness to the strict sense of ecological consciousness,writer Ye Mei's ecological writing as a whole includes three important dimensions:first,the expression of embodied and co-existing understanding through ecological observation on the spot;the second is to relive aesthetic experience by recalling the hometown;the third is to achieve the regeneration of cultural memory through reconstruction.Ye Mei tries to activate her own literary practice through the construction of the above three dimensions,echoing the inherent requirements of ecological creation in the current ecological civilization construction.
作者 牟欢 张凡 Mou Huan;Zhang Fan(College of Literature and Art,Shihezi University,Shihezi 832061,Xinjiang,China)
出处 《伊犁师范大学学报》 2024年第2期73-78,共6页 Journal of Yili Normal University
关键词 叶梅 生态书写 在场 原乡 文化记忆 Ye Mei ecological writing present hometown cultural memory
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