明式家具造物思想与内涵的创新应用

Innovative Application of Ming-style Furniture Creation Thought and Connotation

明式家具是中国家具发展史上一颗璀璨明珠,在学术和商业领域颇受关注。明式家具造物思想与中国本土宗教——“道家思想”存在多重联系,是中国古代哲学和传统造物的综合发展。为进一步探求明式家具造物思想与内涵,合理承用理论指导创新实践,文章将从明代社会背景出发,结合历史、人文、艺术领域,以《道德经》《周易·系辞传》相关内容辅以论证。采用桌面调研、图像考证的方式收集资料,深刻理解明式家具在造型、材料、工艺和装饰上“隐逸高雅,对立统一,情理兼备”的丰富意蕴。从对明式家具部分的研究进行整体串联来解释和疏通其中造物内涵。通过创新实践进行理论验证,并做出综合评价,提出传统家具发展新视角。

Ming-style furniture is a brilliant pearl in the history of Chinese furniture development,attracting considerable attention in academic and commercial fields.This is mainly because the creative ideas of Ming-style furniture have multiple connections with China's indigenous religion,the“Taoist thought”,representing a comprehensive development of ancient Chinese philosophy and traditional craftsmanship.In order to further explore the creative ideas and connotations of Ming-style furniture,and to rationally apply theoretical guidance to innovative practices,this article started from the social background of the Ming Dynasty,combining historical,humanistic,and artistic fields,supplemented by arguments from the content of the“Tao Te Ching”and“Zhouyi Xicizhuan”.By collecting data through desktop re‐search and image verification,the rich connotation of Ming-style furniture in modeling,materials,craftsmanship,and decoration was deeply understood,characterized by“elegance in seclusion,unity in opposition,and a harmonious blend of emotions and reason.”By connection the research on various aspects of Ming-style furniture to interpret and elucidate its creative essence,theoretical validation was conducted through innovative practices,followed by a comprehen‐sive evaluation and the proposal of a new perspective on the development of traditional furniture.