重返的先锋精神——论余华《文城·补》

Return to the Vanguard Spirit:A Case Study of Yu Hua’s Wencheng-Supplement

无论从创作时期,还是从叙事策略、写作风格上看,《文城》都是一部“新小说”。人们对这部新作的评价褒贬不一。从《文城·补》这一富有创造性的文本切入,研究此部分在整部著作中的地位、和“正文”构成的反讽与解构关系以及从中折射出的余华的创作风格转变,从中可以了解余华对补叙这种传统技艺的传承与创新,确认《文城·补》的双重属性,即此种叙述方式取得的艺术效果和其所体现出的重返先锋精神的“晚期风格”。

Wencheng is a new fiction whether in terms of creation period or in terms of narration strategy and writing style.People’s evaluation of this new work is mixed.Starting from the creative text Wencheng-Supplement,this article studies the position of this part in the whole work,its ironic and deconstructive relationship with and the main body of the fiction,and the transformation of Yu Hua’s writing style reflected from it.By our study,we can understand Yu Hua’s inheritance and innovation of this traditional technique,and confirm the dual attributes of Wencheng-Supplement,that is,the artistic effect achieved by this narrative method and the“late style”of returning to the avant-garde spirit embodied in it.