论莫言小说中的“作者形象”——以《酒国》为例证

On“Author Image”in Mo Yan’s Novels:Taking The Republic of Wine as an Example

在文学创作中,“作者形象”是作品思想和修辞的焦点,是作品整体的核心。莫言小说中的“莫言”是“作者形象”的一种特殊形态,它不仅寄寓于文本之中,渗透在创作的各个环节,而且还是作品的结构纽襻、语言主体和反讽对象。“莫言”以虚拟方式突破作者的“外位”禁忌,反映了莫言在小说艺术上的不断探索,对鲁迅所开启的“抉心自食”精神传统的自觉传承。

In literary creation,the“author image”is the focus of the thought and rhetoric of the work,and the core of the whole work.“Mo Yan”in Mo Yan’s novels is a special form of“author image”,which not only resides in the text and permeates every link of creation,but also serves as the structure of the work,the language subject and the object of irony.“Mo Yan”breaks through the author’s“outer place”taboo in a virtual way,which reflects Mo Yan’s continuous exploration in the art of fiction and his conscious inheritance of the spiritual tradition of“self-eating”initiated by Lu Xun.