江顺诒《词学集成》的尊体意识及文化心理

Integration and Breakthrough:Jiang Shun-yi's Consciousness of Respecting the Ci Style and Cultural Psychology in His Ci Xue Ji Cheng

尊体是词学的重要命题之一,也是近代词体批评极为关注的问题。江顺诒《词学集成》作为首部系统的词学批评史论著,建立于批评之再批评基础上的尊体意识贯穿其始终。《词学集成》中部分论断的前后矛盾,折射出其尊体意识的复杂性。一方面,从雅正与经学化的角度来推尊词体;另一方面,《词学集成》为词体论溯本清源,以音律论、词境论寻词体之独特本质,反映出其词学批评对常、浙两派的融合与突破,体现出近代词论家复杂的文化心态。

Respecting the style of the ci poetry is one of the important propositions in ci studies,and it is also an issue of great concern in modern ci criticism.As the first systematic work on the history of ci criticism,Jiang Shunyi's Ci Xue Ji Cheng has a theme running through it:the consciousness of respecting the ci poetry based on the re-criticism of criticism.Some statements in Jiang's Ci Xue Ji Cheng are contradictory,reflecting the complexity of his consciousness.On the one hand,the work advocates respecting the ci style from the point of view of the elegance and the study of classics.On the other hand,Ci Xue Ji Cheng traces the origin of the theory of the ci poetry,exploring the unique essence of ci poetry through the theories of phonetics and poetic realms.It is a fusion and breakthrough of the Changzhou School and the West Zhejiang School,reflecting the complex cultural mentality of modern ci poetry theorists.