摘要
蜀道历来是文人绘画创作的主题。作为中国近现代著名的画家,张大千蜀景佳品甚多。张大千早期蜀道图继承蜀道绘画优秀传统,多次刻画蜀山雄奇、栈道险峻等蜀道独具的美感。而后又多次归蜀与离蜀,张大千将自己浓郁的巴蜀文化情怀融于蜀道图绘画,使这一时期的蜀道图较其早期作品,更具人文情怀和思蜀情感。
Roads to Sichuan have always been the subject in literati’s paintings.As a renowned modern Chinese painter,ZHANG Daqian created many fine works depicting the landscapes concerning roads to Sichuan.In his early works,ZHANG inherited the excellent traditions of painting related to these roads.Many times,he portrayed the majestic mountains and perilous paths unique to these roads.Through his numerous returns to and departures from Sichuan,this renowned modern Chinese painter integrated his rich cultural sentiments of Bashu(Chongqing is shortened as ba,and it is adjacent to Shu,Sichuan)into his paintings of these roads.Therefore,compared to his earlier works,a more humanistic and nostalgic sentiments were imbued in his pieces.
作者
李昊龙
LI Haolong(School of Chinese Language and Literature,China West Normal University,Nanchong,Sichuan 637001,China)
出处
《内江师范学院学报》
CAS
2024年第7期8-12,共5页
Journal of Neijiang Normal University
关键词
张大千
蜀道
蜀道图像
意涵演进
ZHANG Daqian
roads to Sichuan
paintings of roads to Sichuan
connotation evolution