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论设计美学的超功利性

On the Ultra-utilitarianism of Design Aesthetics
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摘要 “审美的非功利性”这一特性过去被认为是以理念为导向的艺术美与以物质实践为导向的设计美的一个重要区分标志,设计美是一种以功利为导向的功能主义美学。但研究发现,设计美之中同样也包含着非物质实用功利目的审美,这种审美以一种超功利性的状态存在于设计和设计对象的审美活动之中,既与功能美相互依存,也是功能美在一定条件下的审美嬗变,这也是设计和艺术两者之间相互依存、相互影响、相互转化的关系的体现。同时,这种设计的超功利性之美也是设计美学能够更好地融入哲学美学体系并与艺术美学研究相互贯通的一个重要原因。 The characteristics of“non-utilitarianism”was once considered as an important distinguishing mark between artistic aesthetics guided by ideas and design aesthetics guided by material practice.Design aesthetics is a functionalist aesthetics based on utilitarianism.However,through this study,it is found that design beauty also includes aesthetic purposes without material utility,and this aesthetic characteristic exists in the aesthetic activities of design and design objects in a super-utilitarian state,which is not only interdependent with the functionalist aesthetics,but also the transformation of functional aesthetics under certain conditions.This is also a reflection of the interdependence,mutual influence,and mutual transformation between design and art.Meanwhile,Ultra-utilitarianism of this design is also an important reason why design aesthetics can be better integrated into philosophical aesthetic system and interconnected with art aesthetics research.
作者 周韧 ZHOU Ren
出处 《中国政法大学学报》 2024年第4期269-279,共11页 Journal Of CUPL
基金 国家社科基金艺术学重大项目“中国近代以来艺术中的审美理论话语研究”(项目号:20ZD28)阶段性成果之一。
关键词 设计美学 功能主义 超功利性 design aesthetics functionalism ultra-utilitarianism
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