一座北方文化大宅的“空间诗学”——“午亭山村”图画及题诗研究

The“Spatial Poetics”of a Northern Cultural Mansion——An Examination of“Wuting Mountain Village”Painting and Its Poems

“午亭山村”这座文化大宅的建筑历史、风格等问题,学界已有研究,但这座宅邸最重要的主人陈廷敬赋予此空间的人性价值——即“午亭山村”之“空间诗学”还未阐明。其内涵主要借绘画和题画诗道出,包括:诗人与画家在梦想和想象的层面上“体验”着这个空间,他们用微缩的画上“家宅”反照出士人“平天下”理想,并以之象征清初战乱平息、南北统一的政治空间。“午亭山村”之空间诗学展现了较高层次的文化品位。在清代,这类“纸上家宅”的诗画大量涌现,是引导我们诠释古人内心空间、地域意识乃至家国情怀的重要文献。

There has been considerable research on the architectural history and style of the cultural mansion“Wuting Mountain Village”,but the human value given to this space by Chen Tingjing,the most important owner of the mansion,that is,the“Spatial Poetics”of“Wuting Mountain Village”has not been clarified.Its connotation is mainly expressed through painting and painting po-ems,including:poets and painters“experience”this space at the level of dream and imagination.They use miniature paintings to re-flect the scholar’s ideal of“peaceful world”,and use it to symbolize the political space of war calm and North-South unity in the ear-ly Qing Dynasty.The spatial poetics of“Wuting mountain village”shows a high level of cultural taste.In the Qing Dynasty,a large number of poems and paintings of such“Home on paper”emerged,which is an important document to guide us to interpret the inner space,regional consciousness and even family and country feelings of the ancients.