《雪豹》:万玛才旦导演作品中的创作观念与反叙事表现

Snow Leopard:The Creative Concept and Counter-Narratives in the Filmmaking Practice of Pema Tseden

本文通过对万玛才旦导演的电影作品《雪豹》进行深入分析,探讨了导演在这部影片中所呈现出的不同于过往作品的创作意识和创作观念,以及在叙事层面下作出的策略选择。通过对影片镜头、叙事结构以及故事内容的解读,揭示了导演对自身创作观念的动态反思,以及对传统叙事方式的解构,从导演作为电影作者层面对影像意义的某种追求、实验和舍去,从而引发观众对电影创作本质的思考。本文还进一步探讨观众的角色和电影媒介的观察功能,挑战观众对电影观看的传统认知。

This article provides an in-depth analysis of director Pema Tseden’s film Snow Leopard,exploring the director's unique creation consciousness and creative concept in his filmmaking practice and his choice of narrative strategy.The interpretation of the film's shots,narrative structure,and story content reveals the director's dynamic reflection on his creative concept and deconstruction of traditional narrative styles.It also examines through the director's perspective as a filmmaker,his pursuit,experimentation,and abandoning of the meaning of images and how these trigger the audience’s reflection on the essence of film creation.Furthermore,this article delves into the audience's role and the film medium's observational function that challenges the audience's traditional perceptions of film viewing.