中华文化主体性的呈现理路

TheWay of Presenting the Subjectivity of Chinese Culture

主体性是确立现代世界的基本原则,文化则凸显了主体性当中“人”的存在。作为生命之流的时间长河构成了文化主体性的先决条件,使其得以摆脱自然生命的束缚而能够享有“从过去、经现代、到未来”的文化生命。如果将一般性的文化主体性聚焦到中国大地上的中华民族,那么回首历史的前路,中华文化主体性在轴心时代及其延长线上渐趋生成。步入到现代的岔路口,中华文化主体性在“两个结合”的指引之下形成了“榫卯型”的文化结构,一方面建构回归中华民族的文化主体性,另一方面敞开中华文化主体性的现代维度,深刻诠释了民族性与现代性之间的文化张力。

Subjectivity is the basic principle that defines the modern world,and culture highlights the existence of the"human being"within the subjectivity.The long river of time,as the stream of life,constitutes the prerequisite of cultural subjectivity,which enables it to be free from the constraints of natural life and to enjoy the cultural life"from the past,through the modern age,and into the future".If the general cultural subjectivity is focus on the Chinese nation on the Chinese soil,then looking back at the road ahead in history,the Chinese cultural subjectivity was gradually generated in the Axial Age and its extension line.At the fork in the road of modernity,Chinese cultural subjectivity has formed a"mortise and tenon joint type"cultural structure under the guidance of"Two Integrations".On the one hand,it constructs a return to the cultural subjectivity of the Chinese nation,and on the other hand,it opens up the modern dimension of Chinese cultural subjectivity,which profoundly interprets the cultural tension between nationality and modernity.