宋金时期磁州窑白地黑花瓷缠枝牡丹纹研究

Research on the Winding Branch Peony Pattern on White Background with Black Flower Porcelains from the Song and Jin Dynasties in Cizhou Kiln

宋金时期磁州窑瓷器装饰以白地黑花装饰最为突出,其创造性地将中国绘画技法以图案装饰形式在瓷器上进行绘制,装饰纹样常有花卉植物纹样等,其中缠枝牡丹纹出现最为频繁。笔者采用资料搜集及对比分析等研究方法,对宋金时期磁州窑白地黑花瓷中缠枝牡丹纹发展脉络进行梳理,归纳分析白地黑花装饰中缠枝牡丹纹的构成组织方式及艺术表现形式,探索其文化底蕴与美学特征,从而发掘其在历史长河中的艺术价值。

During the Song and Jin dynasties,the decoration of Cizhou kiln ceramics was particularly prominent with its white background and black floral design.It creatively incorporated Chinese painting techniques into the pattern decoration on ceramics,often featuring floral and plant motifs,with the entwined branches and peony pattern being the most frequent.This study adopts research methods such as data collection and comparative analysis to sort out the development of the entwined branches and peony pattern in the white background and black floral decoration of Cizhou kiln ceramics during the Song and Jin dynasties.It summarizes and analyzes the compositional organization and artistic expression of the entwined branches and peony pattern,explores its cultural connotation and aesthetic characteristics,and thus uncovers its artistic value in the course of history.