摘要
21世纪,我国迎来了公共艺术繁荣时代,社会公共艺术的互动性表现为作品、设计师、公众与环境之间的相互交流、沟通、选择和影响。各种感官输入对公共空间艺术的无边界感产生了影响,它不仅打破了其他艺术品做不到的互动感,还冲破了不同审美趣味、层次的社会群体和艺术家之间的藩篱。笔者通过分析感官输入在公共空间中的多样性,有助于创造具有无边界、多感官互动的陶艺公共空间艺术。
Moving into the 21st century,China has ushered in an era of prosperity for public art.The interactivity of social public art is manifested in the mutual exchanges,communications,choices and influences between works,designers,the public and the environment.Various sensory inputs have influenced the sense of borderlessness of art in public space,which not only breaks the sense of interaction that other artworks can't do,but also breaks the barriers between social groups and artists with different aesthetic interests and levels.By analyzing the diversity of sensory inputs in public space,this paper contributes to the creation of ceramic public space art with borderless,multi-sensory interaction.
作者
姚淑雅
Yao Shuya(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333403,China)
出处
《陶瓷》
CAS
2024年第8期99-101,共3页
Ceramics
关键词
感官体验
互动
陶艺
公共空间
Sensory experience
Interactivity
Ceramic
Public spase