摘要
源于西方修辞学的“艺格敷词”是一种通过文字来再现画面的修辞术语,唐代文献中描绘舞蹈的文本皆为舞蹈艺格敷词。通过对唐代舞蹈艺格敷词进行细读,可以看出唐人的舞蹈观,以及在此基础上形成的舞蹈审美风格论。以现代美学理论为根据分析唐人在欣赏舞蹈时的内心状态,能够建构出一套唐人的舞蹈审美经验。
The term"ekphrasis",which originated from Western rhetoric,is a kind of rhetorical term that reproduces images through words.All texts depicting dance in Tang Dynasty literature are dance ekphrasis.A close reading of the Tang dynasty dance ekphrasis words reveals the Tang people's view of dance and the dance aesthetic style theory formed on this basis.By analyzing the inner state of the Tang people when enjoying dance based on modern aesthetic theories,it is possible to construct a set of Tang people's aesthetic experience of dance.
作者
苗安琪
刘旭光
Miao Anqi;Liu Xuguang(Shanghai Film Academy,Shanghai University;College of Liberal Arts,Shanghai University)
出处
《中国舞蹈学》
2024年第1期83-98,350,351,共18页
CHOREOLOGY IN CHINA
基金
2020年国家社会科学基金艺术学重大项目“中国近代以来艺术中的审美理论话语研究”(批准号20ZD28)阶段性成果。
关键词
艺格敷词
审美经验
舞蹈美学
Ekphrasis
Aesthetic Experience
Dance aesthetic