仪式性·表演性:三亚崖州区郎典村黎族打柴舞田野文化志

Rituality and Performativity:Field Culture of Li Ethnic Group's Dachai Dance in Langdian Village,Yazhou District,Sanya

黎族打柴舞作为一种独特的蕴含丰富历史记忆的仪式舞蹈,是黎族传统文化的遗存。笔者在考察三亚崖州郎典村民俗活动“欢度元宵节”和多次实地及网络田野调查的基础上,通过研究展演过程、表演形态、音乐律动、仪轨仪程、溯源历史和传承人口述史等内容,重点对郎典村黎族打柴舞进行了文化志书写。笔者认为:在全球化、城镇化和“非遗”语境下,随着文化时空边界的日益模糊,黎族打柴舞冲破了原有的文化空间,实现了从原生性传统仪式走向审美娱乐性舞台展演的转变,在语境跨越和文化再生产中重塑身份,并呈现出仪式性与表演性的双重特征,其共享的审美表达过程是树立民族形象、铸牢中华民族共同体意识的重要基石。

As am unique ritual dance with rich historical memory,Dachai dance of Li ethnic group is the remains of Li people's traditional culture.On the basis of investigating the folk activities“Celebrating the Lantern Festival”and many fields and network fields in Langdian Village,Yazhou,Sanya,the author focuses on the cultural history writing of the Dachai dance of the Li ethnic group in Langdian Village by studying the performance process,performance form,music rhythm,ritual routine,traceability history and inheritance population history.The author believes that in the context of globalization,urbanization and"intangible cultural heritage",with the increasingly blurred boundaries of cultural time and space,Dachai dance of Li ethnic group has broken through the original cultural space and realized the transformation from the original traditional ceremony to the aesthetic entertainment stage performance.Reshaping identity in context crossing and cultural reproduction,and showing the dual characteristics of ritual and performance,its shared aesthetic expression process is an important cornerstone for establishing a national image and building a strong sense of the Chinese nation community.