现代中国建筑之“意”的追寻与升华——我国台湾地区“新派”建筑的空间与园林(1950-1965年)

Pursuit and Sublimation of“Artistic Conception”of Modern Chinese Architecture--The Literati Garden and the Space of“New Camp”Modern Chinese Architecture in Taiwan Province from 1950 to 1965

1950年代初至1960年代中前期,在中国近代建筑发展脉络分支延续与世界现代建筑思潮直接影响下,由中国内地迁台建筑师及其学生组成的“新派”建筑师群体在我国台湾地区进行了体系化的现代中国建筑理论建构并形成理论流派。本研究将基于世界现代建筑运动传播和中国近代文化思潮延续之“双重维度”视域,发掘本时段台湾地区“新派”建筑师对现代空间原理、流动空间原理与中国传统文化的跨文化理论融合与建构,阐述其在现代主义视角下对文人园林的价值思考及其创新价值,以及对中国营造学社思想的反思,以期完善中国近现代建筑史相关研究,补充战后中国建筑理论界在世界现代建筑运动进程中的叙事。

From the early 1950s to the middle and early 1960s,under the direct influence of the branch of Chinese modern architecture development and the world modern architecture trend,the“new camp”group of architects composed of mainland architects and their students in Taiwan province carried out systematic theoretical construction of modern Chinese architecture in Taiwan province and formed a theoretical school.Based on the“double dimension”perspective of the spread of the world’s modern architecture movement and the continuation of China’s modern cultural trend,this study will explore the integration and construction of the cross—cultural theory of modern space principle,mobile space principle and Chinese traditional culture by the“new school”architects in Taiwan province during this period,and explain their value thinking and innovation value of literati gardens from the perspective of modernism,as well as their reflection on the thought of China construction society,in order to improve the relevant research on the history of Chinese modern architecture and supplement the narrative of the post—war Chinese architectural theory circle in the process of the world modern architecture movement.