新民主主义革命时期毛泽东构建文化主体性的三维审视

A Three-Dimensional Inspection of Mao Zedong’s Construction of the Cultural Subjectivity During the Period of the New-Democratic Revolution

新民主主义革命时期,毛泽东对构建文化主体性进行了深入思考和实践。他在新民主主义革命的复杂环境中孕育和提出文化主体性。从政治主体性视角看,这是为了争取新民主主义革命领导权;从文化主体性视角看,这是为了争取新民主主义话语主导权;从教育主体性视角看,这是为了争取新民主主义阶级自主权。就方法动力而言,中华优秀传统文化为生发文化主体性奠定了根基,马克思主义为构建文化主体性指明了方向,借鉴吸收人类一切优秀文明成果为增强文化主体性提供了养料,革命的文艺工作实践是巩固文化主体性的唯一不竭动力。就根本立场而言,在解决“为什么人服务”的“根本问题”中践行文化主体性,在解决“如何去服务”的“接着问题”中发展文化主体性,在解决文艺界统一战线问题中拓展文化主体性。

During the period of the new-democratic revolution,Mao Zedong deeply thought and practiced the construction of the cultural subjectivity.In the complex environment of the new-democratic revolution,he conceived and proposed the cultural subjectivity.From the perspective of political subjectivity,it is to win the leadership of the new-democratic revolution;from the perspective of the cultural subjectivity,it is to win the dominance of the new democratic discourse;from the perspective of educational subjectivity,it is to win the autonomy of the new democratic class.In terms of methods and dynamics,the Chinese excellent traditional culture has laid the foundation for the development of the cultural subjectivity,and Marxism has pointed out the direction for the construction of the cultural subjectivity,and borrowed from and absorbed the fruits of all the best civilizations of human beings provided nourishment for enhancing the cultural subjectivity,and the practice of revolutionary literature and art work is the only inexhaustible driving force to consolidate the cultural subjectivity.In terms of the fundamental standpoint,practice the cultural subjectivity in solving the“fundamental problem”of“whom do they serve”,develop the cultural subjectivity in solving the“subsequent problem”of“how to serve”,and expand the cultural subjectivity in solving the problem of the united front of literary and art circles.