摘要
在如今的消费语境下,“私人化写作”遭遇了前所未有的窘境,即无法合理解决女性生命沦为消费品的问题。近几年出现的女性作家的“非虚构写作”既顺应了消费主义的时代浪潮,又肩负起女性文学的历史责任。在娱乐至死的今天,“非虚构写作”避免了乡土女性沦为客体的悲剧命运,真正地完成了乡土女性的主体性建构。
In today's consumption context,"private writing"has encountered an unprecedented dilemma,namely the inability to reasonably solve the problem of women's lives becoming consumer goods.In recent years,the"non-fiction writing"of female writers has not only conformed to the tide of consumerism but also taken on the historical responsibility of women's literature.In today's era of entertainment to death,"non-fiction writing"avoids the tragic fate of rural women becoming objects,truly completing the subjective construction of rural women.
作者
黄昊宇
刘瑜
HUANG Haoyu;LIU Yu(College of Chinese Language and Culture,Sichuan International Studies University,Shapingba Chongqing,400031,China)
出处
《四川职业技术学院学报》
2024年第4期123-128,共6页
Journal of Sichuan Vocational and Technical College
基金
四川外国语大学科研创新项目“窥视的狂欢:消费主义视域下,林白文学创作的多元转向”(SISU2023XK216)。
关键词
消费主义
私人化写作
非虚构写作
女性文学
主体性
consumerism
private writing
non-fiction writing
women's literature
subjectivity