摘要
经过了20年的光景,你可能会说香港地区的歌剧已经成为它自身成功的“牺牲品”。2003年,中国香港歌剧院(Opera Hong Kong)成立,它确保了这座城市每年至少有两部(有时是三部歌剧)的上演。在此之前,接受过系统歌剧训练的本地歌唱家,甚至偶尔还有外籍声乐指导。
After two decades,you might say that opera in Hong Kong region has become a victim of its own success.Before the founding of Opera Hong Kong region in 2003,which guaranteed the city at least two and sometimes three staged operas a year,local singers with decent operatic training-and even the occasional expatriate voice teacher-could find a place on stage alongside veteran international artists in annual civic productions.Even 10 years ago,members of Opera Hong Kong’s region Young Artists Programme could expect to wind up on stage during the regular season.
出处
《歌剧》
2024年第8期62-71,共10页
Opera
