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中国传统绘画“写生”概念要义及流变

The Essence and Evolution of the Concept of“Sketching”in Traditional Chinese Painting
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摘要 通过对“写生”概念要义及流变的梳理与分析,认为“写生”一词是一个随着时代需求和文化背景变化而不断流变的概念,其内涵的泛化、外延的拓展及其失却,呈现出一个缓慢的、非线性的、复杂的过程。同时,通过剖析“写生”概念要义及流变,一方面可以重新审视中国传统绘画中优秀的文化基因,另一方面通过这种审视进一步认识这种流变背后的绘画思想及其变化,不仅在实践层面上可以激活优秀的文化基因,更在意识层面上以开放包容的态度增强文化的自信心。 By combing and analyzing the essence and change of the concept of“sketching”,it is considered that“sketching”is a concept that constantly changes with the changing needs of the times and cultural background,and its connotation generalization,extension and loss show a slow,non-linear and complex process.At the same time,through the analysis of the essence and evolution of the concept of“sketching”,on the one hand,the excellent cultural genes in traditional Chinese painting can be re-examined and the painting ideas and changes behind the changes through this review can be further understood.It not only can activate the excellent cultural genes in the contemporary era at the practical level,but also enhance the self-confidence of culture with an open and inclusive attitude to at the consciousness level.
作者 刘玥煊 Liu Yuexuan(School of Fine Arts And Calligraphy,Nanjing University of the Arts,Nanjing 210013,China)
出处 《齐鲁师范学院学报》 2024年第4期101-108,共8页 Journal of Qilu Normal University
基金 “建党百年江苏画家作品中的乡村图像研究”(项目编号:21YSD016)阶段性研究成果 河南省社会科学规划项目《建党百年绘画中的乡村叙事研究》(项目编号:2021BYS009)阶段性研究成果。
关键词 写生 写实 传神 流变 Sketching Realistic Vivid Evolution
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