浅析综合材料媒介在中国当代木刻版画创作中的运用

Application of comprehensive material media in contemporary Chinese woodcut printmaking creation

木刻版画起源于中国,其与雕版印刷术的发展相辅相成,是承载着文化传播和教化的重要工具,而后独立发展自由,寻找自身艺术性,打破复制再现原稿的规律并追求转向创造艺术的偶然性。自20世纪90年代开始,木刻版画艺术逐渐走向边缘化,为改变这一局面必须突破传统木刻版画材料和媒介的局限,尝试以综合媒介拓宽木刻版画创作的更多可能。通过中国当代木刻版画与综合材料媒介的融合展开,讨论了木刻版画在中国的更多可能。

The origin of woodcut printing in China and the development of woodcut printing complement each other.It is an important tool to carry cultural transmission and enlightenment.Then it develops independently,seeks its own artistry,breaks the law of copying and reproducing original manuscripts,and pursues the contingency of turning to creating art.Since the 1990s,woodcut printmaking art has gradually moved towards the edge.To change this situation and break through the limitations of traditional woodcut printmaking materials and media,the possibilities of woodcut printmaking creation with comprehensive media were tried to broaden.Through the integration of contemporary Chinese woodcut prints and comprehensive material media,and the more possibilities of woodcut prints in China were discussed.