论沈自征“渔阳三弄”的悲剧性

On the Tragedy of Shen Zizheng’s“Yuyang San Nong”

明代剧作家沈自征的“渔阳三弄”,以简短的故事抒发作家深沉的感叹。其中有较强的悲剧性:在故事内容上,三部杂剧的主角都控诉世道黑白颠倒,其倾听对象也非“常人”,主角的思想不被时人所理解,苦闷难以申述;在人物形象上,作家有意选取主角悲惨人生经历进行创作,并突出配角与主角的对立;在语言风格上,杂剧中多处借鉴和化用前人语言,以抒发悲愤之情;在思想表达上,作家吸收前人作品经验又融入自己见解,使戏曲整体的悲愤情绪一以贯之。

Shen Zizheng,a playwright in the Ming Dynasty,wrote“Yuyang San Nong”to express the writer’s profound sigh through a short story,which has a strong sense of tragedy:in terms of story content,the protagonists of the three miscellaneous dramas all accuse the world of reversing black and white,and their listeners are not“ordinary people”.The protagonist’s thoughts are not understood by the people of the time,and their distress is difficult to express.In the image of the characters,the writer deliberately chooses the tragic life experience of the protagonist to create,and highlights the opposition between the supporting role and the protagonist.In terms of language style,there are many references and adaptations of the language of predecessors in Zaju to express feelings of sadness and anger.In terms of ideological expression,writers absorb the experience of previous works and integrate their own insights,making the overall sadness and anger of the opera consistent.