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徐訏小说创作与《聊斋志异》的互文研究

An Intertextual Study of Xu Xu's Novels and Strange Stories from a Chinese Studio
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摘要 徐訏是中国现代文学史上独树一帜的“鬼才”作家,他笔下神秘曲折的惊情故事,如《鬼恋》《离魂》等,与中国古典志怪巅峰之作《聊斋志异》有明显的互文性。具体表现在徐訏的小说与《聊斋志异》在空间意象、人物形象和情节模式上都有很强的相似性。同时因徐訏受过新式教育,受到过西方文学与哲学的影响,相比于《聊斋志异》,徐訏的小说在思想上表现出深刻的哲思意识、高度的社会责任感及男女平等的意识,并在美学风格上呈现“为艺术而艺术”的唯美主义倾向。新旧交融、中西合璧的写作风格让徐訏小说有了雅俗共赏的特质,这使得他在名家云集的现代文坛开辟出独属于自己的文学空间。 Xu Xu is a unique"ghost writer"in the history of modern Chinese literature.His mysterious and tortuous stories of surprise and love have obvious intertextuality with the Chinese classical Strange Stories from a Chinese Studio.Specifically,there are strong similarities between Xu Xu's novels and Strange Stories from a Chinese Studio in space image,character image and plot mode.At the same time,compared with Strange Stories from a Chinese Studio,Xu Xu's novels on the whole showed the philosophization of the theme,the elevation of social responsibility,the innovation of female consciousness,and the tendency of aestheticism for art.The combination of old and new and the combination of Chinese and Western writing forms makes Xu Xu's novels have the characteristics of both elegance and popular appreciation,and opens up a unique literary space in the modern literary world where famous people gather.
作者 韩佳霖 HAN Jialin(School of Literature,Jinan University,Jinan Shandong,250022,China)
机构地区 济南大学文学院
出处 《文化创新比较研究》 2024年第20期1-5,共5页 Comparative Study of Cultural Innovation
关键词 徐訏 《聊斋志异》 《鬼恋》 唯美主义 新浪漫派 蒲松龄 Xu Xu Strange Stories from a Chinese Studio The Love of Ghosts Aestheticism Neo-romanticism Pu Songling
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