摘要
非物质文化遗产与传统实体文物概念相异,不具有三度空间的实体物质性,是人类无形的文化记忆与财富,而博物馆作为载体,是对其保护传承的重要方式之一。女书文化作为独特的女性文字体系,正处于“失真”“失活”的濒危状态,本文通过对江永女书博物馆展陈空间的设计构建和阐释,从传承文脉、场域形态、叙事空间几个层面讨论非遗文化和博物馆有机融合的设计策略,探讨了基于非遗文化符号驱动下的博物馆设计构建对文化传播和产业发展的促进作用。为推动非遗文化保护与传承,持续赋能非遗文化符号驱动下的博物馆展示设计实践。
The intangible cultural heritage is different from the concept of traditional physical cultural relics,and does not have the physical materiality of three degrees of space.It is the intangible cultural memory and wealth of human beings.Museum,as the carrier,is one of the important ways to protect and inherit it.Nvshu culture as a unique female writing system,is in the“distortion”of“inactivated”endangered state,in this paper through the Jiangyong Nvshu museum exhibition space design construction and interpretation,from the inheritance context,field form,narrative space,discuss intangible culture and museum of organic integration design strategy,discusses based on the intangible symbol driven museum design construction of cultural communication and industry development.In order to promote the protection and inheritance of intangible cultural heritage,the museum exhibition design practice driven by intangible cultural heritage symbols.
作者
谭天
TAN Tian(Northeast Normal University,Changchun 130000,China)
出处
《鞋类工艺与设计》
2024年第15期124-126,共3页
SHOES TECHNOLOGY AND DESIGN
关键词
非物质文化遗产
博物馆设计
展示空间设计
活态化
江永女书
intangible cultural heritage
museum design
exhibition space design
living state
jiangyong nvshu