艺术与生态文明

Art and Ecological Civilization

生态学与美学有不同的目标,要处理好二者之间的关系并非易事,美学与生态学需要双向奔赴才能形成真正的生态美学。当下的生态美学和生态艺术陷入误区,都是因为未能处理好审美与生态的关系。中国美学追求的“意象”与“意境”,中国园林艺术追求的“因”“借”“体”“宜”,这可以为生态美学和生态艺术走出困境提供启示。生态文明并非地球的原始状态,并非放任自然的低级和谐,而是人与自然经过相互诱导、启发和冲突之后达成的高级和谐。

It is not easy to handle the relationship between ecology and aesthetics,as the two have different goals.They need to reach out to each other to form ecological aesthetics.However,ecological aesthetics and ecological art now go down the wrong path because they fail to deal with the relationship between ecology and aesthetics.To get out of this predicament,inspiration can be drawn from the pursuit of“image”and“artistic conception”by Chinese aesthetics and that of“suiting gardens to environment”,“borrowing landscape”,“integrating buildings into nature”and“meeting people’s various needs”by Chinese garden art.Ecological civilization is by no means the original state of the earth or the low-level harmony of letting nature run wild.Rather,it is a high-level harmony achieved by man and nature through mutual induction,inspiration and conflict.