韩国新安沉船打捞出水青白瓷仕女枕研究

Study on the Salvaged Bluish White Porcelain Ladies’ Pillow from theShinan ship in South Korea

将新安沉船打捞出水景德镇窑青白瓷仕女枕,所绘服饰与宋元时期绘画中女性着装进行对比,可知前者所饰并非为袍,而是对襟长衫,也就是褙子。此种服饰在宋元时期皆有使用,其并不能作为判定这件青白瓷仕女枕年代依据。结合新近刊布资料,辅以其他遗址考古发掘资料,可证新安沉船打捞出水景德镇窑青白瓷仕女枕烧造年代并非元代或南宋中晚期,而是北宋晚期至南宋初期。此外,根据新安沉船组织关系及14世纪初期中日文化交流方式,尤其是镰仓幕府时期武士阶层对待宋元文化态度差异,我们推断新安沉船打捞出水宋代景德镇窑青白瓷仕女枕很可能是入元日僧替武士阶层收集的“唐物”珍玩。

By comparing the attire in the salvaged bluish white porcelain lady pillow from the Shinan ship with the clothing of women in paintings during the Song and Yuan Dynasties,it can be seen that the former is not a robe but a cross-collar long shirt,also called beizi.This type of clothing was used during the Song and Yuan Dynasties and cannot be used as a basis for determining the age of this bluish white porcelain lady pillow.Combined with recent publications and other archaeological excavation data,it can be proved that the bluish white porcelain lady pillow from Jingdezhen Kiln,salvaged by a Shinan ship,was not produced in the Yuan Dynasty or the middle and late Southern Song Dynasty,but rather during the late Northern Song Dynasty to the early Southern Song Dynasty.In addition,according to the organizational relationship of the Shinan ship and the cultural exchange between China and Japan in the early 14th century,especially the differences in the attitude of the samurai class towards the Song and Yuan cultures during the Kamakura shogunate period,we infer that the bluish white porcelain lady pillows salvaged from the Shinan ship from Jingdezhen Kiln in the Song Dynasty were probably collected as a precious“Tang object”by Japanese monks on behalf of the samurai class.