摘要
戴维·赫尔曼将脚本、序列与故事视为建构故事世界的叙事微观设计,探究了脚本如何通过激活序列接受者存储在大脑中的世界知识,提示序列接受者将序列阐释为故事,是一个脚本与故事的界面研究。赫尔曼不仅考察了脚本和叙事性的内在联系,还从历时和共时层面讨论了脚本对文学阐释的影响。赫尔曼的这项研究在一定程度上为后经典叙事学的建立奠定了基础,是他力图开创认知叙事学研究范式的一次成功尝试。
David Herman regards scripts,sequences and stories as narrative microdesigns of storyworlds construction,and explores the ways scripts cue the sequences recipients to process the sequences as stories in ways of activating the world knowledge stored in their mind,which is a study on script-story interface.Herman not only examines the interrelations between scripts and narrativity,but also discusses the effects of scripts on literary interpretation diachronically and synchronically.Herman’s study on sequences lays the foundation for the establishment of postclassical narratology to a certain degree,and is a successful attempt to set up the research paradigm of cognitive narratology by himself.
作者
宋杰
SONG Jie(Institute of Foreign Literature and Culture,Guangdong University of Foreign Studies,Guangzhou 510420,China;Editorial Office of Journal of Guangdong University of Foreign Studies,Guangzhou 510420,China)
出处
《华北电力大学学报（社会科学版）》
2024年第4期105-112,共8页
Journal of North China Electric Power University(Social Sciences)
关键词
戴维·赫尔曼
序列
脚本
故事
叙事性
文学阐释
David Herman
sequences
scripts
stories
narrativity
literary interpretation
