摘要
宋玉《神女赋》塑造的高唐神女形象妖艳绝伦、光彩照人。1943年著名画家谢稚柳依据宋玉《神女赋》绘制的《高唐神女图》,直接取法于唐宋人物画尤其是敦煌飞天壁画,线条健劲生动,笔性圆厚浑融,所塑造的高唐神女形象雍容华贵,格调高古,充分体现了谢稚柳高超的人物画造型能力。虽然宋玉的《神女赋》和谢稚柳的《高唐神女图》表现对象相同,但是宋赋是文学艺术、语言艺术,谢画是绘画艺术、色彩艺术,二者各呈异彩,俱臻绝妙,语图互文,交相辉映,堪称“赋画双璧”。
The goddess of Gaotang in Song Yu’s Goddess Fu is gorgeous and brilliant.In 1943,Xie Zhiliu,a famous painter,drew the Goddess of Gaotang according to Song Yu’s Goddess Fu.Xie Zhiliu directly followed the examples of the figure paintings of Tang and Song Dynasties,especially the Dunhuang flying murals.By vigorous,vivid lines and round,thick brushwork,Xie Zhiliu shaped an elegant image of the goddess of Gaotang.With the style of remote antiquity,this painting fully reflects Xie Zhiliu’s superb figure painting ability.Though these two pieces of works are different in art category,both of them are colorful and wonderful.They add radiance and beauty to each other.
作者
吴樾柠
毕一宁
WU Yue-ning;BI Yi-ning(Qi Baishi School of Art,Hu’nan University of Science and Technology,Xiangtan 411201,China;Music Education College,Shenyang Conservatory of Music,Shenyang 110623,China)
出处
《辽东学院学报（社会科学版）》
2024年第2期1-7,共7页
Journal of Liaodong University：Social Science Edition
基金
国家社会科学基金后期资助项目“美国汉学家康达维的辞赋翻译与研究”(20FWWB006)。
