符号学视域下传统簪花服饰在现代服饰中的应用设计初探——以泉州蟳埔女服饰为例

Discussion on the Application Design of Traditional Zanhua Clothing in Modern Clothing from the Perspective of Semiotics——Take Quanzhou Pu Women's Clothing as an Example

在福建泉州,蟳埔女的簪花服饰尤为引人注目,其特殊的历史、自然环境和人文环境铸就了蟳埔女多元的服饰文化。本文以泉州蟳埔女簪花服饰为研究对象,从符号学角度出发,以莫里斯符号学三分法为理论指导,从形态、意义和应用3个方面对蟳埔女簪花服饰进行系统研究分析,探讨传统蟳埔女簪花服饰与现代服装设计的融合与创新,唤起大众对蟳埔女服饰文化的关注,提升当代年轻人对自身服饰文化的认同感,开发出更多符合当代审美的文化服饰。

In Quanzhou,Fujian province,the hairpin dress of Pu women is particularly eye-catching.Its special history,natural environment and cultural environment have created the diverse dress culture of Po women.This paper in Quanzhou Po female hairpin flower dress as the research object,from the perspective of semitics,to Morris symbolic three points as the theoretical guidance,from the form,meaning and application of three aspects of Po female hairpin flower dress system research analysis,discusses the traditional Po female hairpin flower dress and modern integration of clothing design and innovation,arouse the public attention to Po female dress culture,improve the contemporary young people to their own clothing culture identity,develop more in line with the contemporary aesthetic cultural clothing.