敦煌莫高窟61窟中于阗皇后配饰复原创作研究

Research on Restoration of Empress Khotan's Accessories in Cave 61 Murals of the Mogao Grottoes of Dunhuang

敦煌莫高窟第61窟是五代时期第四任节度使曹元忠营造的功德窟。在石窟内东、南、北壁的壁画中保存有49身五代时期的女供养人画像,这些女供养人为回鹘、于阗及汉族人,都是当时上层社会的贵族女子,人物佩戴的配饰华美精致。配饰是中国古代社会贵族女性服饰的重要内容之一,其不仅具有装饰功能,更重要的是具有体现等级身份的社会功能。以历史图像资料为研究对象、史料为佐证,对敦煌莫高窟61窟壁画中于阗皇后配饰的形制、文化内涵、特征进行了分析研究,并进行效果图的复原绘制,直观展现其形制特征,实现对于阗皇后配饰理论到实物的复原研究。

Cave 61 of the Mogao Grottoes of Dunhuang is a merit cave built by Cao Yuanzhong,the fourth provincial envoy during the Five Dynasties.In the murals on the east,south,and north walls of the grottoes,there are 49 portraits of female donors from the Five Dynasties period.These female donors were Uyghurs,Khotan,and Han people,all of whom were noblewomen from the upper class of society at that time.The accessories worn by the characters were gorgeous and exquisite.Accessories are one of the important contents of the clothing of aristocratic women in ancient Chinese society.They not only have decorative functions,but more importantly,they have social functions that reflect social status and hierarchy.Taking historical image data as the research object and historical data as the evidence,this paper analyzes and studies the shape,texture,cultural connotation and characteristics of the accessories of Empress Khotan in the murals of Cave 61 in the Mogao Grottoes of Dunhuang,so as to intuitively display its shape characteristics,and realize the restoration research on the theory and real objects of the accessories of Empress Khotan.