摘要
在如今的博物馆中,观众获取知识的方式不仅仅拘泥于审视“实物(博物馆物)”,新兴的辅助材料同样能使其了解先辈的历史和生活。这些辅助材料拥有卓越的叙事能力,不仅拓宽了博物馆展览信息传递的渠道,还赋予了展览策划额外的可能性。基于此,部分单位尝试了以辅助材料为主导的“无实物”展览模式。“无实物”展览不同于传统的展览模式,不使用“博物馆物”进行叙事,强调与观众的双向互动,配合轻学术的展览文本向观众传递知识。“遇见米芾”展具体实践了“无实物”的展览模式,以辅助材料为主导进行展览叙事,用轻学术性展览文本讲好故事,通过互动性装置引导观众参与,并对“无实物”展览模式进行了反思,指出它适用于中小型博物馆,以期为博物馆展览策划提供新启发、新思路、新方向。
In today's museums,the ways a wide range of audiences acquire knowledge are not just limited to examining"objects"(objects in museums).Emerging auxiliary materials can also help them understand the histories and life of their predecessors.These auxiliary materials endowed with excellent narrative capacities,have not only broadened the channels for information transmissions in museum exhibitions,but also given additional possibilities for exhibition planners.Based on this,some units have tried to offer the brand-new"Non-object"exhibition mode dominated by auxiliary materials.Different from those traditional exhibition modes,the"Non-object"exhibition mode does not use objects in museums to give narrations for purpose of emphasizing two-way interactions with the audience and transmitting knowledge to audiences through light academic exhibition texts.The Encountering Mi Fu Exhibition has concretely practiced such"Non-object"exhibition mode.By using auxiliary materials as main narrations,it has better told stories through plenty of lightly academic exhibition texts,guided audiences'participation through a variety of interactive devices,gave some reflections on the"Non-object"exhibition mode,as well as pointed out the reasons why it is suitable for small and medium-sized museums for purpose of providing new inspirations,new ideas and new directions for future museum-exhibition planning work.
作者
陈晨
程浩宇
Chen Chen;Cheng Haoyu(College of History and Culture,Tianjin Normal University,Tianjin,300387)
出处
《博物院》
2024年第2期112-119,共8页
Museum
关键词
无实物
展览
博物馆
展览策划
No physical object
exhibition
museum
exhibition planning