艺术人类学视阈下中欧陶瓷艺术比较研究

A Comparative Study of Ceramic Art between China and Europe from the Perspective of Art Anthropology

陶瓷在每个历史时期各有其特点,承载着那一时期下的社会背景,制造者使用者的审美意趣,对美的理解,设计师的主张,政治文化思想等等。因此,陶瓷亦是艺术活动的结晶,包含着这一时期造型语言、设计思想、社会背景、制作工艺等。本文采用艺术人类学视野对中欧陶瓷进行比较分析,用联系发展的眼光看待作品背后的形成过程和文化蕴涵。以陶瓷作品为出发点,用全局观探析构成陶瓷作品的各部分因素之间的联系,并进行对比,以此了解中欧艺术界运动趋势异同。

Ceramics has its own characteristics in each historical period,carrying the social background of that period,the aesthetic taste of manufacturers and users,the understanding of beauty,the opinions of designers,political and cultural ideas,and so on.Therefore,ceramics are also the crystallization of artistic activities,containing the language of form,design ideas,social background,and production techniques of this period.This article adopts the perspective of art anthropology to compare and analyze China Europe ceramics,and looks at the formation process and cultural connotations behind the works from a developmental and interconnected perspective.And not just the superficial content of the work in terms of form and modeling language.Starting from ceramic works,using a global perspective to explore the connections between the various factors that make up ceramic works,and comparing them,in order to understand the similarities and differences in the movement trends of the Chinese and European art circles.