莫里斯符号学视角下的长沙窑陶瓷纹饰再设计探究

Study on the Re-Design of Changsha Kiln Ceramic Decoration from the Perspective of Morris Semiotics

长沙窑开创了中国陶瓷彩绘的先河,同时在陶瓷纹饰方面也多彩纷呈。本文基于查尔斯·莫里斯符号学研究理论,通过分析长沙窑陶瓷纹饰符号的语义、语形、语用三维度的探究;将陶瓷纹饰设计流程确立为明确文化、设计文化、传播文化符号几个阶段。深入了解陶瓷纹饰设计背后隐藏的符号要素,确立“分析纹饰符号,推广陶瓷产品”的要务;提升长沙窑陶瓷纹饰的文化隐喻价值,打造出具有地方特色、文化赋能、多维价值的陶瓷产品,为后续长沙窑陶瓷产品的发展提供有效借鉴。

Changsha Kiln has created a precedent in Chinese ceramic painting,and it is also colorful in ceramic decoration.Based on Charles Morris' theory of semiotics,this paper analyzes the semantic,morphological and pragmatic dimensions of the decorative symbols of Changsha Kiln ceramics.The design process of ceramic decoration is established as several stages of clarifying culture,designing culture and disseminating cultural symbols.Deeply understand the symbolic elements hidden behind ceramic design,and establish the important task of "analyzing decorative symbols and promoting ceramic products";Enhance the cultural metaphorical value of Changsha kiln ceramic decoration,create ceramic products with local characteristics,cultural empowerment and multi-dimensional value,and provide effective reference for the subsequent development of Changsha kiln ceramic products.