摘要
建盏工艺源于宋代,以其独特的釉色和纹理,如“兔毫”“油滴”“鹧鸪斑”等而闻名。其复杂精细的制作工艺和蕴含的深厚美学思想,反映了“天人合一”、“简”与“雅”等传统文化理念。如今,建盏在现代艺术和收藏界广受关注,并面临着传统工艺传承的诸多挑战,但也迎来了新的发展机遇。通过解读建盏工艺的艺术美学内涵,可以更好地理解中国传统文化的独特价值。
The craft of building lamps originated in the Song Dynasty and is famous for its unique glaze colors and textures,such as "rabbit hair","oil droplets","partridge spots",etc.Its complex and exquisite production process and profound aesthetic ideas reflect traditional cultural concepts such as "unity of heaven and man","simplicity" and "elegance".Nowadays,Jianzhan is widely concerned in the modern art and collection industry,and faces many challenges in the inheritance of traditional craftsmanship,but also welcomes new development opportunities.By interpreting the artistic aesthetic connotation of the Jianzhan craft,we can better understand the unique value of Chinese traditional culture.
作者
谢长旺
Xie Changwang(Muduo Chayang Kiln Ceramic Studio,Yanping District,Nanping,353000)
出处
《陶瓷研究》
2024年第3期139-141,共3页
Ceramic Studies
关键词
建盏
美学
陶瓷工艺
Jianzhan
Esthetics
Ceramic craftsmanship