摘要
随着人工智能技术的不断演进迭代,AI视觉艺术中的现代技术、作品本质、作品主体性等相关问题亟需研讨。海德格尔的哲学视角为回应这些问题提供了有力的理论框架。一方面,人工智能作为一种现代技术被视为“解蔽”方式,带来了“集置”之危机;另一方面,AI视觉艺术超越传统的模仿与再现理论,重新定义了物的本质和艺术的本源。AI视觉艺术品中,主体与客体不再分割对立而融为一体。化解“集置”与“促逼”,需要倾听天命、揭示真理,反思现代技术与AI视觉艺术的本质。
With the continuous evolution and iteration of artificial intelligence technology,there is an urgent need to discuss issues related to modern technology in AI visual art,the essence of generated artistic works,and the subjectivity of works.In this regard,Heidegger's philosophical perspective provides a powerful theoretical framework,aiming to offer a new path of thinking for the intersection of technology and art.On the one hand,artificial intelligence,as a modern technology,is seen as a way of “unconcealment”,bringing about a crisis of “enframing”;on the other hand,AI visual art transcends traditional theories of imitation and reproduction,redefining the essence of things and the essence of art.In AI visual art works,the subject and object are no longer divided and opposed but integrated into one.To resolve the crisis of “enframing” and “enforcing”,it is necessary to listen to the calling of destiny,reveal the truth,and reflect on the essence of modern technology and AI visual art.
作者
麻娴
周计武
MA Xian;ZHOU Ji-wu(School of Arts,Nanjing University,Nanjing,Jiangsu 210093)
出处
《艺术百家》
北大核心
2024年第3期37-45,共9页
Hundred Schools In Arts
基金
2020年度国家社科基金艺术学重大项目“艺术学理论的跨媒介建构及其知识学研究”(项目编号:20ZD26)阶段性成果之一。