抽离与重构:电影中“逃离言词”现象的意义生成

Extraction and Reconstruction:The Significance Generation of the “Escape from Words” Phenomenon in Films

在以视听为特质的电影媒介中,言词作为听觉系统的重要组成部分,具有情节叙事与主题阐释的双重作用。但随着电影浅薄地滥用言词行为的泛化,电影反而陷入言词无用的危机,从而导致了电影中“逃离言词”现象不断出现。电影的“逃离言词”现象指的是弱化电影听觉系统,消解台词对白、独白等叙事交流形式,即使出现话语声符,也不再对应具体的、有意义的表达。这种电影与话语关系的破裂,抽离了观影经验中的实在意义,弥漫极度无聊的情绪,继而让观众对电影产生倦怠感。但在电影不同艺术风格理念的驱动下,“逃离言词”式的电影在提升审美哲思、强调环境自主叙事等方面重构了电影意义的生成,深化了电影意义的表达。

In the medium of film,characterized by audio-visual elements,words serve as a crucial component of the auditory system,playing a dual role in narrative storytelling and thematic exposition.However,the generalized superficial and excessive use of words in films has led to a crisis where words become seemingly redundant,giving rise to the phenomenon of “escaping from words” in cinema.This phenomenon refers to the weakening of the film's auditory system and the dissolution of narrative forms such as dialogues and monologues.Even when speech sounds are present,they no longer correspond to specific,meaningful expressions.This rupture in the relationship between film and discourse extracts the arrival of concrete meanings in the viewing experience,permeating an intense atmosphere of boredom,and subsequently inducing audience a sense of fatigue towards the film.Nevertheless,driven by different artistic and philosophical styles,films that adopt the “escape from words” approach reconstruct the generation of cinematic meaning by enhancing aesthetic philosophy and emphasizing autonomous environmental narration,thus deepening the expression of filmic meaning.