庐剧《休丁香》口述本与改编本中“超自然”现象差异研究

Study on the Differences of“Supernatural”Phenomena in the Oral Version and Adapted Versions of Lu Opera“Divorce Ding Xiang”

庐剧《休丁香》来源于端公戏,在发展过程中涌现出不同的演出版本。《休丁香》口述本中所记载的“星宿身世”“花园得银”“火神纵火”等“超自然”现象,体现出《休丁香》在传统民间演艺形态下所形成的叙事特点和文化内蕴。而在戏改政策指导下,以陈本《休丁香》为代表的诸多整理改编本,则通过剔除一系列的“超自然”现象,使得该剧的艺术风格及思想内涵产生转变,具备更加明显的现实主义风格,其现实关照性较强。从口述本到改编本,庐剧《休丁香》中的“超自然”现象得到剔除,是该剧目发展历史上的一个重要转折点。

Lu Opera“Divorce Dingxiang”originated from Duan-Gong Opera,and different performance versions have emerged in its development process.The“supernatural”phenomena such as“the birth of the star”,“the silver in the garden”and“the arson by the god of fire”recorded in the oral version of“Divorce Dingxiang”reflect the narrative characteristics and cultural connotation of“Divorce Dingxiang”formed under the traditional folk performing form.However,under the guidance of the drama reform policy,many adapted versions represented by Chen s“Divorce Dingxiang”have changed the artistic style and ideological connotation of the play by eliminating a series of“supernatural”phenomena,giving it a more obvious realist style,with a stronger focus on reality.From the oral version to the adapted version,the elimination of the“supernatural”phenomena in the Lu Opera“Divorce Dingxiang”is an important turning point in the development history of the play.