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论儒家视域下唐代意象本体时空观的建构

On the Construction of the Aesthetic Image Ontological-Temporal View in the Tang Dynasty from the Perspective of Confucianism
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摘要 从文化溯源上说,儒家思想文化对唐代意象时空的影响是极为重要的。以“物”本体视域打开时空思维之链,通过主体生命的安放来对审美意象时空世界进行真实感知与情境传达,展现了唐人的生命情怀和宇宙观念。在此影响下的意象时间关注的是时间的生命历程以及生命发展的内在动因,蕴含一定人文时间色彩。在审美意象体系的时间场域中,意象主体与客体都处于互动消长的格局之中,意象时间的本质在于变易,即在绵延之流的时间体验中把握意象存在的根基。而“绵延”的时间之流本质则是一种“物”本体的彰显,通过物化思维对万事万物的意象时空本质予以真正理解。从意象空间方面看,唐代所开启的学术思潮中儒家文化依旧占据一定影响力,也合乎正统。在整体学术思维、社会形态以及意象空间中,建构了一种天地尊卑关系,社会制度与思想艺术按照一定伦理秩序进行,理想的意象本体空间必然是合乎礼乐文明的秩序空间、变动不居的生生不息空间以及浑然一体的天人合一空间,亦即一种“物”本体空间形态。 From the cultural perspective,the influence of Confucian thought cul⁃ture on the aesthetic image temporal view in the Tang Dynasty is great im⁃portant.Opening up the temporal thinking chain from the"object"ontological perspective,the Tang people perceived the aesthetic image temporal world with real sensation and conveyed the situation through the placement of their own life,showing their life sentiment and cosmic concept.Influenced by Confu⁃cianism,the aesthetic image time focuses on the process of life and it's in⁃ner driving force,imbued with a certain humanistic color.In the temporal field of the aesthetic image system,the subject and object of the aesthetic image are both in an interactive and diminishing pattern.The essence of aes⁃thetic image time lies in change,that is,grasping the root of aesthetic im⁃age existence in the experience of flowing time.The essence of the"continu⁃ous"time flow is a manifestation of the"object"ontology,and the true un⁃derstanding of the aesthetic image temporal essence of all things is achieved through materialization thinking.From the perspective of aesthetic image space,Confucian culture still exerts influence on academic trends during the Tang Dynasty,which is also in line with the orthodox view.Within overall academ⁃ic thought/social forms and imagery space,a hierarchical relationship was estab⁃lished between heaven and earth/social systems and ideas as well as art was constructed according to a certain ethical order.The ideal imagery ontolog⁃ical space must be an orderly space that conforms to the civilization of ritu⁃al music,a space of constant change and endless vitality,and what's more a space of harmonious integration between heaven and humanity-essentially form⁃ing a"material"ontological space.
作者 初娇娇 Chu Jiaojiao
出处 《理论界》 2024年第8期71-78,共8页 Theory Horizon
基金 国家社会科学基金重大项目“审美意象的历史发展及其理论建构研究”(21&ZD067) 黑龙江省哲学社会科学基金项目“唐代审美意象的时空维度研究”(23ZWC342)的研究成果。
关键词 唐代意象 本体时空观 以“物”观时 空间秩序 节奏情感 Tang Dynasty image ontological time-space view viewing time with"material" spatial order rhythm and emotion
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