中国特色作曲技术探微——当代室内乐创作中十二音技法和音响音色技法的运用

Exploration of Composition Techniques with ChineseCharacteristics--The Application of Twelve-tone Technique and Timbre Technique in Contemporary Chamber Music Composition

“十二音技法”“音响音色”是中国当代重要的作曲技法。“支点十二音”“9:3十二音比例和弦”等创新性的十二音技法已成为中国当代作曲家重要的音高组织逻辑;“音程游移”“宽线条”“单音技法”等音响音色技法的运用,则成为依托中国文化的一种创新性文化表达。十二音技法作为音高组织逻辑所生成的音高体系,是音响音色表现的基础,音调音色则是对音高体系的丰富与拓展,两者相辅相成。以“全球音乐理论”观照中国特色作曲技术,旨在阐述西方作曲技术与中国音乐素材的有效融合、“西方话语本土化”与“本土话语西方化”的相互作用、中国与西方基于音乐文明的文明互鉴,进而为建构中国特色作曲技术理论并获得广泛认同寻找可能。

"Twelve-tone technique"an"acoustic timbre"are important modern composition techniques in contemporary China,of which"fulcrum twelve-tone","9:312-tone scale chord",and other innovative twelvetone techniques,have become important logical basis for Chinese contemporary composers in pitch organization.And"interval vacillation""wide lines"and"monophonic technique"have become innovative expressions relying on Chinese culture.The pitch system constructed by the twelve-tone technique lays the foundation for the performance of timbre.Tonal timbre is the further enrichment and expansion of this pitch system,and the two complement each other.By the application of"Global Music Theory,"while focusing on the composition technology with Chinese characteristics,this paper aims to elaborate the effective integration of Western composition technology and Chinese music materials."Localization of western discourse"and"Westernization of local discourse,"or mutual learning between Chinese and Western music culture,all aims to seek more extensive recognition and support for the construction and development of the technical theory of composition with Chinese characteristics.