梁启超旧藏《憨山法师手书遗偈》考释及美学意蕴探析

Textual andAesthetic Analyses on The Handwritten Verses of Master Hanshan Collected by Liang Qichao

梁启超先生旧藏《憨山法师手书遗偈》系珍贵的明代书画类文物,现藏台湾何创时书法艺术馆。大陆学术界鲜有对此件文物的相关考释,对该文物从定名、文义、题跋、钤印等角度进行考释,并从书法风格、哲思意境、诗歌韵味、时代精神诸方面分析其中蕴含的美学意蕴,或可对文物本身乃至憨山德清、梁启超思想生平研究有所助益。

Liang Qichao’s collection of The Handwritten Verses of Master Hanshan is a precious cultural relic of calligraphy and painting from the Ming Dynasty and is now in the collection of the Ho Chuangshi Calligraphy Art Museum in Taiwan Province.Mainland academic circles have rarely done research on this cultural relic.This paper conducts a textual research on it from the perspectives of naming,literary meaning,inscriptions,and seals and analyzes the aesthetic implications contained in it from the aspects of calligraphy style,philosophical artistic conception,poetic charm.It is proposed to be helpful for the study of the cultural relics themselves and even the thoughts and lives of Hanshan Deqing and Liang Qichao.