摘要
《清明上河图》作为中国传世名画,在宋代、明代、清代皆有不同演绎,是研究中国古代城市空间形态难得的素材。该文对比北宋《石渠宝笈三编本清明上河图》、明仇英本《清明上河图》与清院本《清明上河图》,并参阅史料记载及考古资料,力图通过研究探讨复原其中所绘三朝中国传统官员宅邸的平面布局,加深对中国传统官员宅邸的演变认识与把握。
As a famous heirloom painting in China,Qingming Shanghetu has been interpreted differently throughout the dynaaties,and it is a rare material for the study of the spatial form of ancient Chinese cities.We attempt to deepen the understanding and grasp of traditional Chinese officials’residences by comparing and contrasting the Northern Song Dynasty's Shiqu Baoji Sanzhu Ben Qingming Shanghetu,the Ming Dynasty's Qiu Ying Qingming Shanghetu and the Qing Dynasty's Qingming Shanghetu,then we refer to historical records and archaeological data,and try to explore and restore the layout of the traditional Chinese officials'residencea of three dynastiea depicted in the study.
作者
王锦华
张奕
王海若
Wang Jinhua;Zhang Yi;Wang Hairuo
出处
《华中建筑》
2024年第9期138-142,共5页
Huazhong Architecture
关键词
官宅
清明上河图
平面布局
园林
传统绘画
建筑史
Official residence
Qingming Shanghetu
Space pattern
Gardens
Traditional painting
Achitectural history